Old Academy Players welcomes new talent! Please note that we are a non-profit community theater and that all roles are performed on a volunteer basis and are non-paying. Please check this site for audition information which appears throughout the season. Audition Notices will be posted on this page. There may be multiple audition notices posted at the same time.
If you are auditioning for a show, please complete our Audition Form in advance of the audition.
Current Audition Notices:
# The Curious Incident Of The Dog In The Night-Time
Audition Notice — The Curious Incident of the Dog in the Night-Time
Old Academy Players is pleased to announce the audition date for its 2025 production of The Curious Incident of the Dog in the Night-Time by Simon Stephens. The Curious Incident of the Dog in the Night-Time will be performed at the Old Academy Players theater located at 3544 Indian Queen Lane, Philadelphia, PA from March 7th, 2025 through March 23rd, 2025. The play is directed by Josh Tull (Recent: Next to Normal, Mean Girls), and produced by Chris Wunder (Recent: The Weir, Outside Mullingar).
Audition Date & Time: November 2nd, 2024 at 10:00 a.m.
(In the event of inclement weather, auditions will be held on November 9th at 10:00 a.m.)
Note: Auditions will be seen on a first come-first serve basis in the order in which individuals arrive. If you would like to audition, you must arrive and check-in no later than 12:30 p.m.
Callbacks: Issued by invitation and seen later that same day (11/2/2024) at the discretion of the director.
Note: we anticipate callbacks to begin in the early afternoon and run no later than 5PM. Individuals who are called back should be prepared to stay for the duration. Due to the anticipated high number of individuals auditioning, we are unable to provide an exact start time for callbacks. Specific timetables will be provided the day of and communicated transparently. Callbacks will be utilized only in specific cases, some roles may be cast without a callback, you will be told immediately following your audition if we are issuing a callback.
*All roles are non-union, non-paying*
Location of Auditions and Callbacks: Old Academy Players located at 3544 Indian Queen Lane, Philadelphia, PA. There is free parking onsite, located behind the theater.
Audition Requirements:
- Audition in person onsite, on the listed date and time (NO VIDEO AUDITIONS WILL BE ACCEPTED)
- Prepare a monologue in the spirit of the play (you MAY use a selection from The Curious Incident of the Dog in the Night-Time)
- Some individuals may be asked to cold read sides from the show
- Bring an UP TO DATE headshot (the photo will not be returned)
- Bring your theatrical resume
- A list of any conflicts with the rehearsal schedule (see below).
- Please be aware, due to the demands of this show, conflicts may not be accepted. If cast, you will be expected to be available for all rehearsals.
Rehearsals: All rehearsals will take place onsite at Old Academy Players. Rehearsals will begin with an in-person table read at 6:30 p.m. on Monday December 2nd, 2024. A full rehearsal schedule can be found here: The Curious Incident of the Dog in the Nighttime Rehearsal Schedule
Note: specific character call dates will be provided after the show has been cast. Not all roles will be called to every rehearsal.
Performance Dates: March 7th, 2025 — March 23rd, 2025 (Fridays and Saturdays at 8:00 p.m., Sundays at 2:00 p.m.)
Play Information: Tony Award winning play The Curious Incident of the Dog in the Night-Time follows 15-year-old Christopher between modern Swindon and London, UK. Christopher has a brilliant mind but is ill-equipped to interpret the social dynamics of everyday life. He has never ventured alone beyond the end of his road and has an inherent distrust of strangers. At 12:07 AM one morning — Christopher finds himself beside his neighbor’s dead dog, Wellington, who has been speared with a garden fork. Finding himself under suspicion, Christopher is determined to solve the mystery of who murdered Wellington, and he carefully records each fact of the crime. His detective work, forbidden by his father, takes him on a thrilling journey that upturns his entire world.
Dialect: Here’s a link to a video of Swindon, UK residents for audition dialect guidance for the main characters.
Please note, this is an ensemble piece. All actors will remain onstage for nearly the entire duration of the play. All scenes run into each other without any breaks. Stamina, sitting and standing for long periods of time, and physicality are of paramount importance in telling this story. Actors should be comfortable with accents and versatile enough to play/differentiate between multiple roles in most cases.
Characters:
*All roles are non-union, non-paying*
Christopher (Male: 15–22, if 18–22 must be able TPY): brilliant at “maths”, searching for the killer of his neighbor’s dog, Wellington. Christopher is autistic and exploring his place in the world as he seeks to solve the mystery of Wellington’s death. Actors with autism are encouraged to audition. Must be comfortable with the Swindon accent.
Siobhan (Female: 20s-60s): teacher at Christopher’s school, she understands him better than anyone else. Is kind, caring and a guiding support in Christopher’s life.
Ed (Male, 35–50): Christopher’s father, loving, but quick tempered, stressed and frustrated with his situation in life. He always has Christopher’s best interest at heart but it often manifests in overbearing and condescending ways. He drinks to cope. Must be comfortable with the Swindon accent.
Judy (Female, 35–50): Christopher’s mother, loving, but doesn’t really understand how to relate to Christopher. She struggles immensely when trying to support him. Must be comfortable with the Swindon accent.
Mrs. Shears, etc. (Female, 38–58): Mrs. Shears is Christopher’s Neighbor and the one who accuses him of killing her dog. This individual will also be doubling as Mrs. Gascoyne, Woman on Train, and The Shopkeeper. Looking for strong versatile actors to play multiple roles. English dialects of various classes are a plus.
Mr. Shears, etc. (Male, 38–58): Roger Shears is Mrs. Shears Husband. This individual will also be playing the Duty Sergeant, Mr. Wise, Man Behind Counter, and Drunk One. Looking for strong versatile actors to play multiple roles. English dialects of various classes are a plus.
Mr. Thompson, etc. (Male, 20s-40s): This individual will be playing the Policeman, Mr. Thompson, Drunk Two, Man with Socks, and a London Policeman. Looking for strong versatile actors to play multiple roles. English dialects of various classes are a plus.
Reverend Peters, etc. (Male, 40s-60s): This individual will be playing Reverend Peters, Uncle Terry, Station Policeman, and the Station Guard. Looking for strong versatile actors to play multiple roles. English dialects of various classes are a plus.
No. 40, etc. (Female, 20s): This individual will be playing No. 40, Lady in the Street, Information, and a Punk Girl. Looking for strong versatile actors to play multiple roles. English dialects of various classes are a plus.
Mrs. Alexander, etc. (Female, 40s-60s): This individual will be playing Mrs. Alexander, and a Posh Woman. Looking for strong versatile actors to play multiple roles. English dialects of various classes are a plus.
Contact: Director, Josh Tull (josht@oldacademyplayers.org)
# Disenchanted!
Audition Notice — Disenchanted!
Old Academy Players is pleased to announce the audition date for its 2025 production of Disenchanted! by Dennis T. Giacino. Disenchanted! will be performed at the Old Academy Players theater located at 3544 Indian Queen Lane, Philadelphia, PA from April 25th, 2025 through May 11th, 2025. The musical is directed by Annie Hnatko, and produced by Steve Hnatko.
Audition Date & Time:
11:00am Saturday January 11, 2025
Location:
Old Academy Players
3544 Indian Queen Lane
Philadelphia PA 19129
Audition Requirements:
Director, Annie Hnatko, is seeking 5 to 9 adult women of all shapes, sizes, ages, and ethnicities. These women ARE NOT the Disney princesses. They are real women from the original tales based on Grimm, Perrault, de Villeneuve, historic accounts, and legend with a healthy dose of a modern-day, strong, independent woman mixed in.
Actors will be seen in the order they arrive. Upon arrival please sign-in at the desk. Sign-in will close at 12:30pm.
Please prepare 16–32 measures of a musical theater song in the style of the show. Singing from Disenchanted! is acceptable, however the director has requested no Disney songs. Please bring sheet music in the correct key, with starting and ending points clearly marked for the provided accompanist. Neither a cappella singing nor accompaniment tracks will be permitted. Some auditioners may be asked to do a cold reading from the script.
*Please refrain from auditioning if you are not available for all performance dates listed below.
Video auditions will not be accepted.
Please note that microphones will not be used during this production.
Brief Synopsis:
Poison apples and lost slippers are just the beginning. The original storybook heroines are none-too-happy with the way they’ve been portrayed in today’s pop culture so they’ve tossed their tiaras and have come to life to set the record straight. Forget the princesses you think you know – these royal renegades are here to comically belt out the truth. Received an “Outstanding Off-Broadway Musical” nomination (Outer Critics Circle Awards) and a “Best New Off-Broadway Musical” nomination (Off Broadway Alliance). Contains adult language and content.
Roles:
Sleeping Beauty has been pre-cast
Snow White
Soprano – Lead
Brassy and self-assured. The leader of the princess pack who likes to be in control. Also has a loving, maternal instinct. Aspires to be perfect, but she soon realizes that being perfectly ‘you’ is more important. Inclusive and diverse casting encouraged.
Cinderella
Soprano – Lead
Perky, quirky, and impish. She’s always enthusiastic, especially when it comes to being a real life princess, but is about to discover that there’s more to being a princess than pretty gowns and shiny glass slippers. Inclusive and diverse casting encouraged.
The Princess Who Kissed The Frog
Mezzo – Supporting – African American/Black
Having been left out of the kingdom for decades, this Black princess is here to claim her throne and celebrate inclusivity and diversity in fairy tales. Confident; clever with a turn of phrase, loves a funny pop culture reference. Wonderfully witty; joyous.
Hua Mulan*
Soprano – Supporting — Asian
A legendary folk hero of Asian descent from the poem The Ballad of Mulan. She has a good-natured sense of humor while maintaining a respect for her culture. She is excited to come out onstage and, through her heartfelt story, reveal her true self.
Pocahontas*
Soprano – Featured – Native American
Plucky, valiant. She has been homogenized by an entertainment industry willing to distort her true Native-American story just to sell cinema tickets. As she comically mocks her glammed-up portrayal in Hollywood cartoons, she is on a journey to restore her authentic, historical self.
Princess Badroulbadour*
Mezzo – Featured – South Asian or Middle Eastern
Originally from the South-Asian-turned-Middle-Eastern Aladdin sagas, this sultan’s daughter has had enough of being secondary in her own tale. Misogyny begone! It’s a whole new world and this independent and puckish princess is taking her story back!
The Little Mermaid**
Mezzo – Supporting
Once innocent and obedient, she’s now rowdy and rebellious. Having regretfully given up her seemingly idyllic life under the sea, she copes with her new reality through inappropriate yet hilarious comedy. She is the life of the party! Inclusive and diverse casting encouraged.
Belle**
Mezzo – Featured
A smart and witty bookworm from classic French lit who inexplicably speaks and sings with an American accent. She chats with inanimate objects, cleans up after her beast of a husband … and it’s slowly driving her insane. Inclusive and diverse casting encouraged.
Rapunzel**
Alto — Featured
American capitalism won’t turn this campy, Mel Brooksian songstress into a damsel in distress. Nein! Brunehildesque, strong, and fun-loving, she’s bent on getting her fair share from those who make bank off fairy tale princesses. Inclusive and diverse casting encouraged. This actress must be able to maintain a German accent.
*At the discretion of the director, the roles of Hua Mulan, Pocahontas, and Princess Badroulbadour may be played by one actress.
**At the discretion of the director, the roles of The Little Mermaid, Belle, and Rapunzel may be played by one actress.
Performance Dates:
Fridays and Saturdays, April: 25 and 26, May: 2, 3, 9, and 10, 2025 at 8:00pm
Sundays, May 4 and 11, 2025 at 2:00pm
*Additional performances may be added
Rehearsal Dates:
Monday, Tuesday, Wednesday, and Thursday evenings at 6:30pm. Not all roles will be called for each rehearsal.
- Full rehearsal schedule can be provided upon request.
Brush-Up Rehearsals: Wednesday, April 30 and Tuesday, May 6 at 6:30pm
If cast, you will also be required to:
-
- attend the Club Night rehearsal of the Curious Incident of the Dog in the Night-time on Wednesday, March 5 at 7:30pm
- assist hospitality for one performance of the Curious Incident of the Dog in the Night-time
- assist with Set & Tech Strike/Build between The Curious Incident of the Dog in the Night-time and Disenchanted! on Sunday, April 23 at 4:30pm and Monday, April 24 at 6pm.
- assist with Set & Tech Strike/Build between Disenchanted! and The Dining Room on Sunday, May 11 at 4:30pm.
* Contact Information
Director Annie Hnatko (MusicalsAtOldAcademy@gmail.com)